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Jazznow.com
4/07/06

“Iridium: The best place to have Jazz and brunch in New York City”

“Iridium has great food, talented musicians, and a savvy crowd for their Sunday brunch.”

“Scott Barbarino’s Sunday Jazz brunch at Iridium with the Barry Levitt Quartet is quite a sensation. Billing it as a Jazz vocal jam session, Barry invites singers to sit in, as well as featuring a special vocalist each week.”

Lucy Galliher
East Coast Editor
Jazz Now Magazine
www.jazznow.com

Zagat survey
10/24/03

"World class jazz" (starting with the "legendary Les Paul on Monday nights") makes this Theater District "equivalent of the Blue Note" "well worth a visit", and there's "good food" and just-"right atmosphere" as a bonus; many tout it as the "best" of the genre.

All about jazz
11/02/02

Like most Americans born in the 1960s, Iridium Jazz Club owner Ron Sturm grew up with rock 'n' roll, not jazz. "I got more involved with jazz when I was in college at Boston University," Sturm says. "Boston was really hot then - there were a lot of jazz clubs and good things happening, and I caught a lot of shows."

When the Sturm family decided to open a club, Ron is the one who suggested jazz. The name Iridium was chosen for several reasons. Iridium is a silvery white metal, but the word derives from iris, so it also refers to a rainbow. The Sturms liked the sound of the word, and better yet someone told them that saxophones were once lined with iridium.

The club opened in 1994 at its original location on 63rd Street and 8th Avenue. According to Sturm, they started with small aspirations. "We were just finding our way as a jazz club. We had a $5 cover charge, and we had to go around and find people to get them to pay!" The original location went through three renovations, then in August 2001 Iridium opened at its current location at 1650 Broadway on 51st Street.

A key part of the renovation was creating a professional sound system. "We have a state-of-the-art Meyer sound system, as well as a Steinway piano and a recording studio. People who really want to hear music like the space because the focus here is on the music."

Iridium also prides itself on its ambience. The club's underground location, discreet lighting, and two-tiered seating create a cozy, even romantic atmosphere. The club is also renowned for its quality service and food, including a Sunday jazz brunch that features singer and pianist Bob Dorough.

Iridium is perhaps most famous for its relationship with guitar legend Les Paul, who has been performing Monday nights at Iridium since April 1995. "I noticed that Les wasn't playing at Fat Tuesdays anymore," Sturm said, "so I called up a close friend and he hooked us up. Les showed up unannounced one night wearing blue jeans; he was very straightforward with no airs, and we hit it off. Les is meat and potatoes: people come from all over the world to see him, and he has time for everyone. He's the hippest 87-year-old that you're ever going to see."

In addition to Paul, Iridium presents a wide variety of jazz styles, with recent and upcoming bookings including McCoy Tyner, Ahmad Jamal, the Heath brothers, Sam Rivers, Andrew Hill, Henry Threadgill, Roswell Rudd, Vernon Reid, James Blood Ulmer, and Gonzalo Rubalcaba. Iridium is also trying something new: Cuban jazz nights twice a month, complete with live music, dancing, and a DJ. Sturm is proud of Iridium's wide spectrum of music. "We're not just booking by rote - we try new things. We try to balance our booking by having a week that may not pay the rent, but presents someone up and coming who's just breaking through. We have to keep our finger on the pulse."

Sturm enjoys the work, particularly getting to know the musicians and seeing a side of them that others often don't know. "There are a lot of wonderful, genuine people in this business. For instance, Michael Brecker was playing the club during September 11th. It was his week, and we were excited to have him because we had just opened up at the new location a month earlier. And Michael donated his entire salary to the Red Cross. He was totally low-key about it, he didn't tell anyone and he didn't want press. That blew me away, and reaffirmed just how good people can be."

Iridium has its challenges like all jazz clubs in New York, but as Sturm reflects on his years in the business he says, "I wouldn't have dreamed that we would still be here so many years later, and that we would be presenting people like McCoy Tyner and Ahmad Jamal. I'm proud of our staying power."

STATE OF THE ART MEYER SOUND SYSTEM- For The Best Sound Possible!
12/10/01

Electric guitar legend and inventor Les Paul specified an all Meyer Self-Powered loudspeaker system to be installed at Iridium's new address, when the club moved to 1650 Broadway at 51st. When considering the move from the old location, owner Ron Sturm wanted the new local to be among the best live music experiences available anywhere. Mission Accomplished!

Attention was paid to every aspect of the new facility, including lighting, acoustics, and interior design to create an environment that was conducive to not only listening but performing as well. A major part of this mission meant upgrading the sound system. The old facility had some Meyer Self-Powered products, but there were also loudspeaker products from other manufacturers. In the move to the new venue the decision to go exclusively Meyer was made. Sturm explained, " We tried to address the sound issue, it was a very, very important fact. And it's usually something that clubs put a backseat to. This was an opportunity to do it right." Sturm continues, "Les has a voice in how the club operates regarding sound and he wanted Meyer." Paul performs there exclusively every Monday night.

The Meyer products were retained from the old facility and Carl Ferrugia of SI Tech and John Monitto of Meyer Sound determined what additional loudspeakers were required. The new system consisted of single CQ-1 Wide Coverage Main Loudspeakers for left and right, and a center cluster of three UPA-2P Compact Narrow Coverage Loudspeakers. Delays were UPM-1 Ultra-Compact Wide Coverage Loudspeakers and a UPA-2P Compact Narrow Coverage Loudspeaker was used as a fill. Two 650-P High Power Subwoofers handle the low frequencies.

Another important consideration was the placement of the engineering station to mix the club sound. For This Iridium went with a Yamaha 32x8x4 Board and located the station in the center of the room so the engineer could here what the audience was hearing and have great sightlines to the stage. "Most clubs put the board in the back of the room so they get the most seats possible in the room. It's almost an afterthought, a necessary evil. However, the mix is one of the most important aspects in sound quality," says Sturm.

A Recording Studio was also built to the right of the stage with the following components:
Tascam MX2424- includes external 9 gig drive,
(1) HDR-QAV 9.1- Internal extra 9 gig drive
(1) IFAN 2424-24 Ch. Analog I/O for MX2424
(1) DBX 1046-Quad Comp Limiter
(1) DBX 1066-Stereo/Comp Limiter
(1) Mackie 32x8-Mackie 32 Ch. 8 bus recording console
(1) Rean RPM48S-48 PT Balanced TRS Patch Bay
(2) Mackie Monitors

"It took about three days in total to get the system in" recalls Ferrugia. About the quality of the system, he added. "I think it's great. It's probably the best club I've heard so far."

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